Sculptpedia Statues, Busts and Sculptures Park sculptures and installations Ancient World & Antiquity Middle Ages & Renaissance Marble & Other Stones Bronze & Other Metals

Equestrian Statue of Victor Emmanuel II

The Equestrian Statue of Victor Emmanuel II is a bronze work by Enrico Chiaradia and the architectural centre of the Vittoriano in Rome. Set above the Altar of the Fatherland and in front of the portico colonnade, it is the only non-symbolic representation in the monument, depicting the monarch himself. The marble base is carved with personifications of fourteen noble Italian cities, created by Eugenio Maccagnani, and decorated with symbols of the armed forces victorious in the wars of the Risorgimento. The statue weighs 50 tons, and its placement recalls classical traditions in which equestrian statues emphasized centrality, civic virtue, and martial excellence.

Identification

TitleEquestrian Statue of Victor Emmanuel II
TypeEquestrian statue

Historical context

SubjectVictor Emmanuel II
Commissioned1889

Creator

Designer and commissionerEnrico Chiaradia
CompletionCompleted by Emilio Gallori after Chiaradia's death in 1901
Relationship to architectMaccagnani was much appreciated by Sacconi
City personifications sculptorEugenio Maccagnani

Materials

MaterialBronze
Bronze sourceCannons of the Royal Italian Army

Physical characteristics

Lower plinth decorationSymbols of the victorious armed forces of the Risorgimento: Engineer Corps, Navy, Artillery, and Cavalry
CompositionBronze equestrian statue on a marble base
Hoof length50 cm
BaseMarble base with carved personifications of fourteen noble Italian cities
Weight50 tons
Length10 meters
HeightAbout 12 meters

Location and ownership

Location within monumentAbove the Altar of the Fatherland, in front of the colonnade of the portico, at the architectural center of the Vittoriano
Uniqueness within the VittorianoThe only non-symbolic representation in the Vittoriano

Appearance

SymbolismEquestrian statues exalt the subject's warlike virtues and, by showing control of the horse, civic virtues and control over primordial instincts
Placement traditionIts central placement follows classical antiquity traditions for equestrian statues in front of colonnades, public squares, temples, or along triumphal streets

History and restoration

Source of plinth relief inspirationTrajan's Column
Pre-closing eventA lunch for 21 people was organized before the belly was closed