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Winkelrieddenkmal

Winkelrieddenkmal is a memorial to Arnold von Winkelried, the Swiss legend who is said to have sacrificed his life at the Battle of Sempach in 1386. The monument was promoted in Stans as a representative memorial and a regional symbol with national significance. After two competitions and years of discussion, Ferdinand Schlöth’s model was selected for execution in 1857. He worked on the sculpture in Rome, and the finished marble work was completed there in 1865. The statue was transported to Switzerland, brought from Lucerne to Stansstad by Lake Lucerne, and then moved to Stans, where it was erected on 1 August 1865. The memorial was protected by a hall designed by the Swiss architect Ferdinand Stadler.

Identification

TitleWinkelried memorial
TypeMonument; war memorial for Arnold von Winkelried
Other titleWinkelrieddenkmal

Iconography and meaning

Commemorated personArnold von Winkelried
Subject legendSwiss legend says Winkelried sacrificed his life in the Battle of Sempach on 9 July 1386 by throwing himself into Habsburg pikes to open a passage for the Swiss attack
Historical eventBattle of Sempach
PurposeMemorial erected in memory of Arnold von Winkelried; intended by the people of Stans mainly as a representative monument for the town rather than solely as a commemoration of the hero, and to attract visitors
Local significanceChosen by the people of Stans because Winkelried was a regionally known national figure

Discovery and provenance

Commission date22 September 1859
InitiatorAnton Albert Durrer (1793–1865)
Initiative contextHe submitted a proposal to the municipal council of Stans on 14 July 1853, on the occasion of the Federal Shooting Festival of 1853 in Lucerne, and organized a fundraising campaign
Initiator's view of older statueHe considered the Winkelried statue on the central fountain of Stans, erected in 1723, to be dated
Design competitionFirst competition approved on 30 September 1853; results were unsatisfactory by 1854; a second competition was held in June 1856 and another was announced in 1857 but did not produce satisfactory results
Payment15,000 Swiss francs initial payment

Creator

Hall architectFerdinand Stadler
Workshop locationVia Quattro Fontane, Rome
Artist descriptionBasel sculptor working in Rome
ArtistFerdinand Schlöth

History and restoration

Reason for larger workshopSchlöth rented a larger workshop there because it better suited the requirements of the planned memorial
InaugurationOfficially inaugurated in September 1865 in the presence of the artist, together with the completed hall
Plaster modelHe finished a plaster model before the end of 1859 and sent photographs of it to his clients in Switzerland
Marble blockA Carrara marble block was purchased with money received in December 1861
Final approvalMay 1862
Small copyBecause final approval was delayed, Schlöth began work on a smaller copy of the memorial; it was offered for sale in Basel in 1864, bought by Heinrich Moser, intended as a gift for the victor of the national shooting competition in Schaffhausen in 1865, and later bought back by Moser from the winner
CompletionFinished in Rome in 1865
Reception during executionThe work in progress received wide acclaim from visitors to Schlöth's workshop, including Ludwig II of Bavaria
TransportIn June 1865 the statue was transported via Marseille to Lucerne, then by a specially built wagon to Lucerne, shipped across Lake Lucerne to Stansstad, and from there moved to Stans
Hall commissionStadler was directly entrusted with the task in 1858; a further competition in 1857 had failed to produce satisfactory results, and the definitive commission followed after about six more years when the location and other questions were clarified
Installation date1 August 1865

Materials

Main materialCarrara marble

Location and ownership

Protective structureNeo-Gothic marble hall designed to protect the memorial
Placement contextSituated between the church and the town hall
LocationDorfplatz (village square), Stans, canton of Nidwalden, Switzerland
Heritage listingIncluded in the list of cultural properties in Stans
Model locationA model of the monument is on display at Swissminiatur in Melide

Physical characteristics

DepictionGroup of three figures

Appearance

Formal interpretationAn attempt to contain a heroic gesture within a harmonious, classically influenced triangular form

Significance

Art-historical significancePresented as a new form of war memorial
Reception and influenceIt remained without followers; an exception is the Fontana Monument in Chur (1903) by Richard Kissling, which translates the three-figure group into a two-figure composition