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Seventh Regiment Memorial

The Seventh Regiment Memorial is an outdoor bronze sculpture in Central Park in New York City, United States. It is dedicated to the members of the Seventh Regiment who died during the American Civil War. The statue was designed by John Quincy Adams Ward, and the base was designed by Richard Morris Hunt. Although the statue dates to 1869, the monument was not unveiled until June 22, 1874. The soldier depicted in the work was modeled on the actor and veteran Steele MacKaye, who posed in his own uniform.

Identification

TitleSeventh Regiment Memorial
TypeOutdoor sculpture
Alternative nameSeventh Regiment Memorial (in English)

Historical context

Model completionBy spring 1868
Unveiling dateJune 22, 1874
Date on statue1869
Broader unbuilt schemeA series of Beaux-Arts entrances to Central Park
Original intended designA much larger monument with at least five figures, part of Hunt's 'Warrior Gate' entrance scheme for Central Park
Reduced designThe original grand scheme was reduced to the present monument after conflicts with Frederick Law Olmsted and Calvert Vaux over aesthetic matters
Dedicated toMembers of the Seventh Regiment who died during the American Civil War
Commission dateProbably 1867
Commissioned byThe Seventh Regiment Monument Association

Creator

Model for the soldier figureSteele MacKaye, actor and veteran of the regiment
Pose referenceMacKaye posed in his own uniform
Base designerRichard Morris Hunt
ArchitectRichard Morris Hunt
SculptorJohn Quincy Adams Ward

Physical characteristics

Location of sculptureAtop a granite base
Figure representedA soldier
Base materialGranite
MaterialBronze

Location and ownership

LocationCentral Park, New York City, New York, United States

Iconography and meaning

SubjectMembers of the Seventh Regiment who died during the Civil War

Significance

Art-historical assessmentE. Wayne Craven considered the work a failure, but also regarded it as a work of art
Craven's interpretation of the failureHe argued that neither the 'Shakespeare' nor the 'Seventh Regiment Soldier' were portrait statues in the usual sense, and that this explained their failures
Craven's assessment of Ward's abilityWard often lacked the vision to create a successful imaginary portrait, but his images of men who could actually stand before him were usually stronger as works of art