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Tetrahedron in Bottrop

Tetrahedron in Bottrop, officially Haldenereignis Emscherblick, is a walkable steel structure shaped as a tetrahedron with a side length of sixty metres. It stands on four nine-metre-tall concrete pillars on top of the mine dump Halde Beckstraße in Bottrop, Germany. Opened on German Unity Day, 3 October 1995, it serves as the town’s landmark. The sculpture is one of several Halden sculptures in the Ruhrgebiet region, built atop slag piles from the area’s industrial past. Its design recalls the Sierpinski tetrix, with a recursive tetrahedral form built from smaller shapes.

Identification

NameTetrahedron in Bottrop
Official nameHaldenereignis Emscherblick
Short nameTetraeder
TypeWalkable steel tetrahedron viewing platform and landmark sculpture
German nameBottrop Tetraeder

Physical characteristics

ElevationAbout 120 metres above sea level
Steps to upper platform387 steps
Third viewing platform38 metres high; a ring 8 metres in diameter, inclined at 8° to the horizontal; reached by a spiral staircase
Second viewing platform32 metres high; reached by a steep straight staircase
First viewing platform18 metres high; reached by a staircase designed as a suspension bridge
Interior layoutStairs and viewing platforms suspended within the main structure
Relative heightAbout 90 metres above the surrounding level
Edge length60 metres
ShapeTetrahedron
Support structureResting on four reinforced-concrete pillars, 9 metres high

Materials

Total tube length1,500 metres
Main materialSteel and tubes
Stairs and platforms materialsGrated decking, light grids, and perforated plates
Steel quantity210 tonnes

Creator

Top light sculptureFraktal, by Jürgen LIT Fischer (Düsseldorf)
Structural engineerKlaus Bollinger (Bollinger + Grohmann, Frankfurt)
ArchitectWolfgang Christ
Built byRüter GmbH, Dortmund

Historical context

Opening occasionGerman Unity Day
Landscape effectFrom the center of the depression, the industrial and urban landscape of the northern Ruhr area is no longer visible
Opening date3 October 1995
Historical backgroundThe slag heaps are remnants of the region's industrial era
ContextOne of the Halden sculptures on slag heaps in the Ruhrgebiet; part of the Route of Industrial Culture and an IBA Emscher Park landmark
SiteOn top of the Halde Beckstraße spoil heap, the former Beckstraße mine dump of the Prosper-Haniel mine
LocationHalde Beckstraße, Bottrop, North Rhine-Westphalia, Germany

Appearance

Night appearanceIlluminated at night and appears to float
View through structureOpen view downward
Design resemblanceReminiscent of the Sierpinski tetrix

Location and ownership

Landmark statusA landmark of Bottrop and an important regional landmark due to its exposed location and height
ViewWide panoramic view over the Ruhr area; Bottrop, Essen, Oberhausen, Gladbeck, and the Rheinturm in Düsseldorf can be seen in good weather, up to about 40 km away
FunctionTown landmark and viewing platform

Technique

Wind behaviorThe stairs and platforms can sway slightly in strong winds
Suspension systemStairs and platforms are flexibly suspended on steel cables

History and restoration

Associated ground designThe summit of the spoil heap was shaped as a lens-shaped depression according to a design by Wolfgang Christ
Associated installation removalRemoved on 18 February 2009; the figures were dredged up and buried under gravel by the Regionalverband Ruhr after a legal opinion said the unauthorized modifications were not permitted
Associated installation restorationRestored in August 2011 with permission from the Regionalverband Ruhr, based on an agreement with Fred Fischer after no alternative site could be found; a temporary action with textile panels at the original site was agreed

Other

Associated installation"Aliens" stone arrangement below the Tetrahedron
Associated installation creatorFred Fischer (Bottrop)
Associated installation materialsDifferently colored gravel stones
Associated installation subjectAliens
Associated installation period2004 to early 2009
Associated installation controversyThe unauthorized citizen modifications prompted a passionate public and media debate

Significance

Cultural usesShown in Dietrich Brüggemann's film Renn, wenn du kannst, and in the music videos Surrender by Ad Infinitum and Monument by Remode