The Three Soldiers
The Three Soldiers, also known as The Three Servicemen, is a bronze statue on the National Mall in Washington, D.C., commemorating the Vietnam War. It depicts three young men in Vietnam-era uniforms and with weapons, identifiable as Caucasian, African American, and Hispanic. Designed by Frederick Hart, the sculpture was created to complement the Vietnam Veterans Memorial by adding a more traditional element. It was unveiled on Veterans Day in 1984. Hart described the figures as standing vigil beside the wall, reflecting the human face of sacrifice. The statue is positioned to interact with the memorial wall, where it appears to overlook the names of fallen comrades.
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Identification | |
| Title | Three Soldiers |
| Alternative titles | The Three Servicemen; Los Tres Militares; Los Tres Soldados; Die Drei Soldaten; Les Trois Soldats |
| Type | Bronze statue |
| Sculpture group | Three figures |
Historical context | |
| Commemorated event | The Vietnam War |
| Purpose | A more traditional complement to the Vietnam Veterans Memorial, created to preserve and enhance its minimalist design and to evoke the experience and service of the Vietnam veteran |
| Associated memorial | Vietnam Veterans Memorial |
| Associated memorial date | 1982 |
Creator | |
| Design support | Designed to respond to negative reactions to Maya Lin's Vietnam Veterans Memorial wall |
| Competition result | Hart placed third in the original competition for the design |
| Design date | 1984 |
| Assistant sculptor | Jay Hall Carpenter |
| Artist | Frederick Hart |
Discovery and provenance | |
| Basis for figures | Based on seven actual young men |
| White figure model | James E. Connell III |
| African-American figure models | Terrance Green, Rodney Sherrill, and Scotty Dillingham |
| Hispanic figure models | Guillermo (Willie) Smith De Perez DeLeon and Rene Farkass |
| Military status of models | Two of the models for the white and African-American figures were active-duty Marines when the sculpture was commissioned |
Physical characteristics | |
| Height | Life-size figures, each 2 meters tall; granite pedestal 1 meter high |
| Number of figures | Three |
| Base | Granite pedestal |
Materials | |
| Material | Bronze |
Technique | |
| Technique | Lost wax technique |
Appearance | |
| Depicted subject | Three young men dressed and armed in Vietnam War-era military uniforms and equipment |
| Figure positions | Hispanic on the left, White in the center, African American on the right |
| Visual interaction | The soldiers appear to be solemnly looking toward the names on the Vietnam Veterans Memorial wall |
| Orientation | Facing the Vietnam Veterans Memorial wall |
| Ethnic representation | One Hispanic, one White, and one African American soldier |
Iconography and meaning | |
| Artist's interpretation | Hart compared the wall to an overwhelming sea of sacrifice, placing the figures on its shore to stand vigil and reflect its human face and heart |
| Thematic contrast | The contrast between their youth and their weapons emphasizes the poignancy of their sacrifice |
| Symbolic meaning | Their physical contact and unity represent bonds of love and sacrifice in wartime, while their loneliness, strength, and vulnerability express true heroism as loyalty in the face of vulnerability |
| Historical accuracy | The portrayal of the figures is consistent with history |
Location and ownership | |
| Installation intention | To create the effect of the soldiers looking over the fallen and interacting with the Wall |
| Unveiling occasion | Veterans Day |
| Unveiling date | November 11, 1984 |
| Placement relative to wall | Set a distance away from the memorial wall |
| Intended placement effect | Placed to appear as if the soldiers were looking over the sea of the fallen |
| Placement process | A large life-size model of the soldiers was moved around the memorial until the site was found |
| Part of | Vietnam Veterans Memorial |
| Location | National Mall, Washington, D.C., United States |
History and restoration | |
| Copyright | Hart and the Vietnam Veterans Memorial Fund |
Significance | |
| Historical significance | One of the first representations of an African American in public sculpture in the United States; included the first representation of an African American on the National Mall |
| Artist significance | Hart's first major work in bronze |
Other | |
| Related sales | Reproductions were sold on memorabilia such as t-shirts, keychains, and snowglobes |
| Profit use | Hart's share of profits was donated to a nonprofit that provides name rubbings to families of veterans |
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