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Enghausen Cross

The Enghausen Cross is a wooden crucifix measuring 232 x 178 cm, dated to the late 9th century. It is kept in the Church of the Finding of the Cross in Enghausen, in the municipality of Mauern in the district of Freising. Considered the oldest surviving monumental crucifix, it was extensively restored from 2004 to 2006 after centuries of environmental damage and dirt. Scientific C-14 analysis, later confirmed by reference and cross-check samples, placed it in the final decade of the 9th century, supporting a late Carolingian dating and suggesting a possible connection with the coronation of Arnulf of Carinthia in 895.

Identification

TitleEnghausener Kreuz
TypeMonumental wooden crucifix
Original language nameCroce di Enghausen

Historical context

DateLate 9th century, probably c. 890–900
Historical periodLate Carolingian period

Creator

Possible patronPossibly commissioned or donated by King Arnulf of Carinthia

Discovery and provenance

Historical context of provenanceThe monastery was transferred to Bishop Waldo of Freising in 895 and was especially promoted by Arnulf
Related church dedication changeThe church in Enghausen was later rededicated from Saint Stephen to the Finding of the Holy Cross
Associated church relationshipThe church of Enghausen was incorporated into the canonry of Sankt Kastulus in the 11th century and belonged to the monastery's ecclesiastical jurisdiction for a long time
Proposed originHypothesized to come from the former Benedictine church and later collegiate church of Sankt Kastulus in nearby Moosburg
Possible transfer to EnghausenIt may have been handed over to the subsidiary church of Enghausen when the Sankt Kastulus church was rebuilt in the Gothic or late Gothic period
Possible originLong suspected to come from the former Benedictine and later collegiate church of St. Kastulus in nearby Moosburg
Original locationFormer Benedictine church and later collegiate church of St. Kastulus in nearby Moosburg

Physical characteristics

Dimensions232 × 178 cm
Corpus dimensions188 × 175 cm

Materials

MaterialWood

Technique

Dating methodRadiocarbon (C-14) analysis, later confirmed by reference and control samples
RestorationRestored from 2004 to 2006 due to unstable paint layers, dirt accumulation, and unstable environmental conditions
Paint stratificationTwelve paint layers or states identified; only traces of the first five survive
Surface finishPolychromed

Appearance

Depiction of ChristChrist is nailed to the cross with four nails and stands on a suppedaneum shaped like a demon's head
Christ image interpretationChrist is shown as the divine man, looking at the viewer in dignity and majesty as redeemer and conqueror of death and suffering
Christ hairstyleHair style consistent with Carolingian depictions
HeadgearNo crown of thorns or royal crown
Polychromy historyThe present gilded appearance probably dates to the 17th century; the oldest visible version likely dates to the 17th century
Loincloth colorDark red in the earliest versions; now golden
Wounds and blood streamsPainted in the early modern version and not carved accordingly

Iconography and meaning

Stylistic attributionConsistent with Carolingian Christ iconography and differs from Romanesque and later depictions

Location and ownership

Current locationChurch of the Finding of the Cross (Hl. Kreuzauffindung) in Enghausen, municipality of Mauern, district of Freising

History and restoration

Return date5 May 2006
Post-restoration decisionReturned to Enghausen by bishop's order rather than transferred to the Diocesan Museum of Freising
Security measuresThe church of Enghausen received a new alarm system to protect the cross
Papal displayDisplayed above the cathedra during Pope Benedict XVI's public Mass in Riem, Munich, on 10 September 2006

Significance

SignificanceConsidered the oldest surviving monumental crucifix, and possibly the oldest surviving monumental cross overall; also described as the largest among the oldest surviving crucifixes
Related comparable worksThe Cross of Gero and the Miraculous Cross of Elspe
Research impactThe re-dating revised earlier stylistic hypotheses about its origin and had significant consequences for local art history and the historiography of Christ's representation