Virgin from Ger
Virgin from Ger is a Romanesque wooden sculpture from the parish church of Santa Coloma de Ger in the Baja Cerdanya. It is now displayed at the National Art Museum of Catalonia in Barcelona, catalog number 65.503. Carved in polychromed poplar wood, it shows the Virgin seated with the Child on her lap in the Sedes sapientiae type. The Virgin wears a red tunic and veil, while the Child blesses with his right hand and holds a book inscribed EGO SUM with the left. The figures are rigidly frontal and symmetrical, reflecting the devotional purpose of Romanesque Marian imagery.
© Didier Descouens · Public domain
September 2011 © David Monniaux · CC BY-SA 3.0
September 2011 © David Monniaux · CC BY-SA 3.0
Identification | |
| Title | Virgin from Ger |
| Subject | Virgin seated with the Child on her lap |
| Type | Romanesque wooden sculpture |
Historical context | |
| Date | 12th century, possibly close to the second third of the century |
| Region | Catalonia |
| Associated locality | Ger, in Baixa Cerdanya (Lower Cerdanya) |
Creator | |
| Technique | Wood carving with a brilliant technique |
Materials | |
| Material | Wood, specifically polychromed poplar wood |
| Finishing | Polychromy |
| Construction method | Usually made from two blocks, one for the Virgin and another for the Child |
Discovery and provenance | |
| Museum acquisition | Entered the Museu Nacional d'Art de Catalunya in 1958 through the bequest of Santiago Jaume Espona i Brunet |
| Museum catalog number | 65.503 |
| Date of transfer | 7 October 1925 |
| Original location | Parish church of Santa Coloma de Ger |
| Transferred to | Episcopal Palace of Urgel |
Physical characteristics | |
| Sculpture type | Exempt devotional figure; sculptural group |
| State of preservation | Good general preservation |
| Location in church | Mainly around the altar, in prominent positions |
Appearance | |
| Child's pose | Seated in the middle of his mother's lap |
| Child's face | Facial features similar to the Virgin's, with slanted eyes looking directly at the viewer |
| Child's crown | Missing |
| Child's footwear | Barefoot |
| Child's clothing | Light tunic with floral decoration and braid at the neck, with a red toga over the shoulders |
| Child's hair | Uncovered hair falling behind the ears |
| Child's gesture | Right hand blessing, left hand holding a book |
| Virgin's footwear | The lower part shows the tips of her shod feet |
| Virgin's hands | Hands rest on her knees, open protectively over her son without touching him; some fingers are missing |
| Virgin's crown | Traces of a crown, probably added later |
| Virgin's veil | Red floral-decorated veil partially showing her hair, covering her shoulders and reaching elbow level |
| Virgin's clothing | Red tunic with symmetrically arranged folds |
| Virgin's face | Elongated face with almond-pointed eyes |
| Throne | Low throne flanked by pillars and a decorated cushion |
| Virgin's pose | Seated on a low throne, frontal and hieratic |
Iconography and meaning | |
| Interpretive note | The child's adult-like features were intended to distance humanity and reduce distractions during veneration |
| Devotional function | Designed to provoke devotion and respect |
| Book inscription | EGO SUM ('I am') |
| Symbolism | Symbolises the Church |
| Iconography | Sedes Sapientiae (Throne of Wisdom) |
History and restoration | |
| Later alteration | Retouched and adapted for a new concept of the subject; the child was moved to Mary's left knee |
| Evidence for alteration | Known from early twentieth-century photographs |
Significance | |
| Importance | One of the most important examples of 12th-century wood carving in Catalonia |
| Related stylistic group | Part of a series of images developed in the region of Cerdanya |
| Comparable works | Images from Bastanist and Targassona |
| Comparison | The book inscription also appears in contemporary works such as the Pantocrator of the apse of Sant Climent de Taüll |
Other | |
| Source language | Spanish |
| Article fragment subject | Virgin with the Child from Ger |
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