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Johan Ludvig Runeberg Statue

The Johan Ludvig Runeberg statue is a monument to the Finland-Swedish author, national poet, and priest Johan Ludvig Runeberg (1804–1877). It was designed and sculpted by his son, Walter Runeberg, and stands in Esplanadi park in Helsinki. The commission was awarded without competition, and Walter Runeberg completed the draft in 1881. The statue was approved in 1882, cast twice in bronze in Paris, and unveiled on 6 May 1885 before a large public crowd. Its pose was inspired by an ancient sculpture of Sophocles, while the position of the hand was modelled by Hjalmar Munsterhjelm. A female pedestal figure was completed separately in 1883.

Identification

TitleStatue of Johan Ludvig Runeberg
SubjectJohan Ludvig Runeberg, the Finland-Swedish author, national poet, and priest
TypeMemorial statue with allegorical pedestal
Dedicated toJohan Ludvig Runeberg

Creator

Artist relationshipSon of the subject
ArtistWalter Runeberg

Historical context

Committee treasurerMerchant councillor Henrik Borgström
Commission methodWithout competition
Commission awarded toWalter Runeberg
Committee membersJ. V. Snellman, Lorenz Lindelöf, Otto Donner, Robert Lagerborg, F. W. G. Hjelt
Committee chairSenator Lars Theodor von Hellens
Committee establishedEarly 1878
Public fundraising campaign launched31 May 1877
First proposal1872, during Runeberg's lifetime
Commissioned byThe Finnish Diet
Committee secretaryZacharias Topelius

Discovery and provenance

Artist residence at commissionParis
Draft completed1881
Draft approved1882, while on display in Finland
Pose inspirationAn ancient sculpture of Sophocles in the Lateran Museum in Rome
Hand modelPainter Hjalmar Munsterhjelm

Physical characteristics

ClothingA priest's coat he wore while teaching at the Porvoo High School
Female figureA young woman wrapped in a bearskin, holding a laurel wreath in her right hand and a large inscription tablet in her left, with a pile of books at her feet
MaterialBronze statue on a red granite pedestal
Depicted ageAbout 55 years old
ComponentsBronze statue of Johan Ludvig Runeberg and allegorical pedestal with a female figure
Height8 meters
PoseStanding upright with his right hand against his chest, thumb under the lapel of his coat, as if about to begin a speech

Appearance

OrientationFaces east toward the Market Square

Iconography and meaning

Female figure nameSuomi / Vårt land
Female figure symbolismThought to represent Finland's allegorical muse or a mythological guardian spirit, rather than a national personification
Inscription tablet textThree verses of Maamme in Swedish, reproducing the first and last two stanzas of the song
Name inscriptionRuneberg's name does not appear on the monument

Location and ownership

Copy locationPorvoo
LocationMiddle section of Esplanadi Park, Helsinki, Finland, on the central path between Kluuvikatu and Kasarmikatu, called Runeberg's Esplanade
CountryFinland

History and restoration

CastingsThe statue was cast twice
Casting materialBronze
Second statue sizeNatural size
Casting locationParis
Female figure completion1883
Second statue formWithout the female pedestal figure
Second statue materialBronze
Unveiling significanceEighth anniversary of the poet's death
Second statue contextThe city where Runeberg spent most of his life
Second statue locationPorvoo
Second statue unveiling date30 May 1885
Unveiling eventsFlags flew across the city, shops were closed, a 130-piece brass band played Björneborgarnas marsch, a choir of several hundred singers performed a cantata, Maamme was sung and conducted by Professor Fredrik Pacius, State Councillor Wilhelm Lagus spoke in Swedish, Dr Julius Krohn spoke in Finnish, and the city was festively illuminated in the evening
Estimated crowd at unveilingApproximately 20,000 people
Unveiling date6 May 1885
Date erected1885

Other

Inscription on baseSuomen kansa maamme laulajalle ('From the people of Finland to the singer of Our Land') on the south side; Af Finlands folk ('From the people of Finland') on the north side; 1885 on the rear face
Historical noteThe absence of a name inscription was considered self-evident at the time