Monument to the Unknown Woman Worker
Monument to the Unknown Woman Worker is a 1992 sculpture by Louise Walsh in Belfast, Northern Ireland, in the United Kingdom. It stands on Great Victoria Street beside the Europa Hotel. The original commission from the Department of the Environment aimed to reflect the nearby Amelia Street’s history as a red-light district, but Walsh disagreed with that approach and shifted the focus to women’s rights in low-paid jobs and unpaid domestic work. Walsh was born in County Cork and earned her master’s degree in sculpture at the University of Ulster.
August 2008 © Kenneth Allen · CC BY-SA 2.0
April 2011 © William Murphy · CC BY-SA 2.0
December 2009 © Kenneth Allen · CC BY-SA 2.0
July 2024 © August Dominus · CC0
May 2007 © Albert Bridge · CC BY-SA 2.0
Identification | |
| Title | Monument to the Unknown Woman Worker |
| Original title in Spanish | Monumento a la mujer trabajadora desconocida |
| French title | Le monument à la travailleuse inconnue |
| Type | sculpture |
Historical context | |
| Date | 1992 |
Creator | |
| Artist | Louise Walsh |
| Artist birthplace | County Cork |
| Artist education | Master's degree in sculpture from the University of Ulster |
Discovery and provenance | |
| Recommissioning | A private developer recommissioned the work a few years later |
| Outcome of original project | The project was dropped in 1989 |
| Opposition | The Belfast Development Office and Belfast City Council opposed the project and the chosen design |
| Design approval | The project's landscape architect and the Art in Public Spaces Research Group accepted Walsh's design |
| Competition format | Four sculptors were invited to submit proposed designs for the monument |
| Original intended theme | to reflect the history of nearby Amelia Street as a red-light district |
| Commissioning body | Department of the Environment |
| Original commission date | late 1980s |
Physical characteristics | |
| Material | bronze |
| Depicted figures | two working-class women |
| Surface details | symbols of women's work embedded on the surfaces |
| Included domestic items | colanders, a shopping basket, and clothes pegs |
Iconography and meaning | |
| Final thematic focus | women's rights in low-paid jobs and unpaid domestic work |
Location and ownership | |
| Original proposed location | near Amelia Street |
| Current location | Great Victoria Street, outside the Great Northern Mall, adjacent to the Europa Hotel, Belfast, Northern Ireland, United Kingdom |
| Installation site | erected on private land close to its originally proposed spot |
History and restoration | |
| Walsh's response to original theme | She disagreed with the original theme and changed the focus |
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