Bust of Cardinal Alessandro Peretti
The Bust of Alessandro Peretti di Montalto is a portrait sculpture by the Italian artist Gian Lorenzo Bernini, executed in 1622 and 1623. Now in the Kunsthalle Hamburg in Germany, it was long considered lost and did not appear in Rudolf Wittkower’s 1955 catalogue of Bernini’s sculptures. Identified in the 1980s, it is now considered an authentic work by Bernini. Art historians have praised its expressive force and naturalistic details, including the hair of the unshaven cheeks, the fleshly lower lip, and the pockmarks beside the nose. The bust is also noted for the vitality and refinement Bernini brought to formal ecclesiastical portraiture.
© Phyrexian · Public domain
July 2012 © Xcia0069 · CC BY-SA 3.0
July 2012 © Xcia0069 · CC BY-SA 3.0
July 2012 © Xcia0069 · CC BY-SA 3.0
July 2012 © Xcia0069 · CC BY-SA 3.0
Identification | |
| Type | Portrait sculpture; bust |
| Title | Bust of Cardinal Alessandro Peretti Montalto |
Historical context | |
| Relationship to patron | Bernini had previously made Neptune and Triton for Cardinal Montalto's gardens at Villa Montalto and knew the cardinal |
| Date made | 1622–1623 |
| Date of subject's death | 1623 |
Creator | |
| Artist | Gian Lorenzo Bernini |
| Artist nationality | Italian |
| Subject | Cardinal Alessandro Peretti Montalto |
Discovery and provenance | |
| Rediscovery | Rediscovered in Hamburg in the 1960s |
| Identification status | Long considered lost; identified in the 1980s |
| Scholarship status | Not included in Rudolf Wittkower's 1955 catalogue of Bernini's sculptures; now considered an authentic work by Bernini |
| Provenance before 1910 | Recorded at Villa Montalto in the early 1660s and at Casa Peretti in 1682 |
| Acquisition | After 1910, donated to the Kunsthalle Hamburg as part of the collection of Sir John Henry Schroder |
Location and ownership | |
| Current location | Kunsthalle Hamburg, Hamburg, Germany |
Physical characteristics | |
| Style | A noble, regal bearing |
| Characterization | Vitality and refinement |
| Naturalistic details | Fine hair on the unshaven cheeks, fleshy lower lip, and pockmarks flanking the nose |
| Expression | An expression of deep thought and concentration that gives the bust a strong sense of animation |
Materials | |
| Material | Marble |
Technique | |
| Construction | The pedestal and bust were carved from a single block of marble, rather than separately |
| Sculptural process | Carving the pedestal and bust from one block allowed Bernini to determine their dimensions together; this also wasted a great deal of marble |
History and restoration | |
| Purpose | The reason for the bust is unclear |
| Possible function | It may have been made as part of a funerary tomb |
| Alternative commission hypothesis | Montalto may have commissioned the bust before his death |
| Possible dating | Possibly posthumous, after the cardinal's death |
Statues, Busts and Sculptures
Park sculptures and installations
Ancient World & Antiquity
Middle Ages & Renaissance
Marble & Other Stones
Bronze & Other Metals