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Six Steeds of Zhao Mausoleum

The Six Steeds of Zhao Mausoleum are a group of six high-quality limestone bas-reliefs created during China’s Tang dynasty (618–907). Each relief measures 2 meters wide and 1.7 meters high and depicts a different warhorse. For more than 1,200 years, they stood along the north gate of Tang Taizong’s mausoleum, north of Xi’an, China. The six horses were personally selected by Emperor Taizong to represent his battlefield successes and rise to power, and each was given a name. In the 1910s, the reliefs were removed from Zhaoling; two are now at the University of Pennsylvania Museum of Archaeology and Anthropology, and four are in the Beilin Museum in Xi’an. They are considered important artistic treasures of China.

Identification

TitleSix Steeds of Zhao Mausoleum
Chinese nameZhāolíngliùjùn
TypeSet of six Tang stone bas-reliefs

Historical context

DateTang dynasty (618–907); commissioned in 636 and completed in 649
Commissioned byEmperor Taizong of Tang (Li Shimin)
Burial siteZhaoling (the mausoleum of Emperor Taizong of Tang) in Shaanxi, China
Original setting durationRemained at Zhaoling for more than 1,200 years
Placement at original sitePlaced along the north gate of Zhaoling when Taizong was buried there in 649

Creator

Traditional designerYan Liben; possibly the designer of the whole structure

Materials

MaterialLimestone

Physical characteristics

FormBas-reliefs
Number of worksSix
DimensionsEach relief measures about 2.0 m wide and 1.7 m high

Iconography and meaning

Horse namesThe names are transliterations of Turkic or Central Asian terms, suggesting the horses may have been gifts or tributes from the Tujue
Historical use of the horsesRidden by Taizong during the early campaigns to reunify China under the Tang
InscriptionEmperor Taizong wrote a personal eulogy for each horse
InterpretationThey represent Emperor Taizong's battlefield successes and his conquest of power
Depicted horsesQuanmaogua, Shifachi, Baitiwu, Telebiao, Qingzhui, and Saluzi (Autumn Dew)
SubjectSix war horses of Emperor Taizong

Discovery and provenance

StyleVery flat and linear, likely carved after drawings or paintings
Removal from original siteTwo reliefs were stolen after the Xinhai Revolution in 1912 or 1913; the four remaining reliefs were confiscated by local authorities
Recovery and transferThe two stolen reliefs were seized by Shaanxi authorities and sent to Beijing in 1915 on President Yuan Shikai's orders
Sale and exportTwo reliefs were sold by C. T. Loo in 1914 and shipped to the United States sometime between 1914 and 1918
Acquisition by Penn MuseumThe University of Pennsylvania Museum negotiated purchase from 1918 to 1921; Eldridge R. Johnson bought the reliefs and donated them to the museum

Location and ownership

Current location of two reliefsUniversity of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, United States
Current location of four reliefsBeilin Museum, Xi'an, China
Storage after seizureShaanxi Provincial Library

History and restoration

ConservationIn 2010, three experts from China helped reconstruct the two cracked reliefs in Pennsylvania
Diplomatic issueChina has pressed the United States to return the reconstructed reliefs

Significance

Cultural importanceImportant Chinese art treasures
Art historical statusRegarded as ancient Chinese art treasures