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Trisomatos Typhon

Trisomatos Typhon is an ancient Greek sculpture in the typical style of the early Archaic period. It formed part of the west pediment of the Hecatompedon temple on the Acropolis of Athens and is now in the Acropolis Museum in Athens, Greece. The sculpture is made of limestone and is notable for the large amount of pigment that has survived on its surface. Its mythological identity is uncertain. Suggestions have included the sea god Nereus, the serpent monster Typhon, or the Tritopatores. If it represents Typhon, the red-clad figure beside it may be Zeus. The identification remains debated.

Identification

TitleTrisomatos Typhon
Alternative namesDemonio de tres cuerpos; Monstruo de tres cuerpos; The Three-Bodied Daemon; The Three-Bodied Monster
TypeAncient Greek sculpture; part of a sculptural group

Historical context

DateAround 570 BC
PeriodEarly Archaic period

Creator

StyleTypical early Archaic period style

Discovery and provenance

Discovery date of most fragments1888
Discovery location of most fragmentsEast and southeast of the Parthenon
Associated groups in the same pedimentA group of Heracles fighting the sea-god Triton and a group of lions devouring a bull
Associated monumentThe Hekatompedon pediments
Original placementWest pediment of the Hekatompedon temple on the Acropolis of Athens

Location and ownership

Current locationAcropolis Museum, Athens, Greece
Paint preservationA large amount of colored pigment has survived on the limestone, with bright decoration still visible

Materials

MaterialLimestone; porous limestone (porolithus)
Additional materialsPlaster; lead

Physical characteristics

Condition of added partsThe first two human heads were made in separate limestone pieces; the third head was similarly inserted, though it is uncertain whether it belongs to this body or another similar one
Preserved joinsTwo holes on the right forearm of the middle body are certainly part of this group; the forearm of the Zeus figure was attached similarly but now has a smooth cross-sectional surface without lead-filled holes
ConstructionSeparate parts were inserted or attached to the main body rather than carved from a single block
Attachment detailsHoles 6–7 millimeters wide were made to fix parts in place and preserve the lead; three holes in a line fastened the right wing
Preservation stateThe upper part of the body was destroyed and filled with plaster
Dimensions3.35 m long; 79 cm high

History and restoration

RestorationMost fragments were welded together and restored with plaster

Appearance

Depicted figureTyphon is uncertainly identified; possible identifications include Nereus or the Tritopatores
Figure descriptionA large male figure with three naked bodies
Anatomical featuresThe three bodies are bearded and seem to share a single large tail
Associated figureA red-clad figure to the right survives; if the subject is Typhon, it would be Zeus
Held objectsA lightning bolt, waves, and a bird
Body colorationFirst body: red flesh, especially on the chest; brown areola; red-black hair and beard; black eyelids and eyebrows; red eyes with light green irises. Second body: reddish skin with color remaining on the chest and left half of the face; reddish-black beard; no trace of color on the hair; black eyelids and eyebrows; paint faded from the irises. Third body: no distinguishable color survives. Wing: dark blue on the upper part with incised lines below; the wings may originally have been alternately colored and uncolored, possibly with one row red and another black-green. Tail: a red band between two black-blue bands, with one section in the natural color of the stone

Iconography and meaning

Proposed symbolism of objectsLightning bolt = fire; waves = water; bird = air
Tail symbolismThe long swirling tail symbolizes the earth, though no further conclusion can be reached
Interpretive notesFurtwängler suggested the figure may represent the Tritopatores, based on the tri- prefix in their name; there is no evidence they were depicted as three bodies with a single tail and they were more likely shown as three separate beings
Identification disputeThe sculpture’s mythological character is unclear; Typhon identification is suggested by analogy with a red-figure vase, but this is disputed
Literary referenceEuripides’ Heracles describes Typhon as having three bodies

Significance

Stylistic noteThe Hekatompedon pediments are considered excellent examples of colored ancient Greek sculpture that retained some or most of their painting over the centuries