Topos V
Topos V, commonly known as Topos, is a sculpture by the Spanish artist Eduardo Chillida Juantegui. It is located in the centre of Barcelona’s Gothic Quarter, in Plaça del Rei, beside the Museum of the History of the City. The Barcelona city council acquired the work in 1986 for an exhibition devoted to Chillida by the Miró Foundation, and the artist himself indicated its placement there. Made of iron, the sculpture takes the form of a geometric diedral angle, closed on two sides with semicircular ends that recall medieval round arches. Its dimensions are 2.10 x 2.37 x 1.70 metres.
March 2013 © Enfo · CC BY-SA 3.0 es
May 2016 © Josep Bracons · CC BY-SA 2.0
May 2016 © Josep Bracons · CC BY-SA 2.0
May 2016 © Josep Bracons · CC BY-SA 2.0
May 2011 © Enfo · CC BY-SA 3.0 es
Identification | |
| Title | Topos V |
| Type | Sculpture |
| Name origin | Derived from the Greek word "topos", meaning "space" or "place" |
| Common name | Topos |
Historical context | |
| Date | 1986 |
Creator | |
| Artist | Eduardo Chillida |
| Artist nationality | Spanish Basque |
| Artist lifespan | 1924–2002 |
Location and ownership | |
| Placement note | Installed in Plaça del Rei following the sculptor's own suggestion |
| Installation assistance | Installed with help from engineer José Antonio Fernández Ordóñez |
| Unveiling date | 6 March 1986 |
| Unveiling context | Unveiled during a ceremony attended by the sculptor himself |
| Acquisition context | Purchased in 1986 on the occasion of a Miró Foundation exhibition dedicated to Chillida |
| Purchased by | Barcelona city council |
| Specific setting | In Plaça del Rei, among the Palau Reial Major, the Chapel of Saint Agatha, and the Museum of the History of Barcelona |
| Current location | Plaça del Rei, Gothic Quarter, Barcelona, Spain |
Physical characteristics | |
| Form | Geometric dihedral angle closed on both sides by metal sheets |
| Structural details | The two open sides face the square |
| Decoration | Small semicircular arches |
| Weight | About 7 tons |
| Dimensions | 2.10 × 2.37 × 1.70 m |
Materials | |
| Material | Iron |
Appearance | |
| Stylistic associations | Related to Romanesque semicircular arches and medieval architecture |
| Visual references | Possibly refers to the letter B for Barcelona and to medieval arches or windows |
History and restoration | |
| Installation context | Installed as part of a retrospective exhibition of Chillida's works at the Fundació Joan Miró in Barcelona |
| Placement rationale | Its geometry, scale, brown color, and textures were intended to dialogue with the surrounding medieval architecture |
Significance | |
| Interpretive effect | Creates a contrast between the centuries separating the square's medieval buildings and the sculpture's era |
| Interpretive function | Designed to complement contemporary sculpture and medieval architecture |
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