Sculptpedia Statues, Busts and Sculptures Park sculptures and installations Ancient World & Antiquity Middle Ages & Renaissance Marble & Other Stones Bronze & Other Metals

Homunculus Loxodontus

Homunculus Loxodontus is a sculpture by Dutch artist Margriet van Breevoort, created for the Leiden University Medical Center and installed in spring 2016. Made of plastic and epoxy resin, it depicts a gray, legless creature with an elephant-seal head, a larval body, and human-like arms folded in front of it. The figure sits in a waiting-room chair and was intended to express the emotions people feel while waiting for a medical diagnosis. It was first placed in front of the hospital’s children’s department in May 2016, then moved in February 2017 to display alongside other works inside the medical center. The sculpture became widely popular as an internet meme in several post-Soviet countries.

Identification

TitleHomunculus Loxodontus
TypeSculpture
Alternative namesZhdun; The One Who Waits; Snorp; WOSH; Pochekun; Zhдун; Počekun; Pačakun

Creator

ArtistMargriet van Breevoort
Artist nationalityDutch

Historical context

Commissioned forAn annual art competition organized by the Leiden Sculpture Foundation, with the theme of biological sciences
Grant recipientMargriet van Breevoort received a grant from Leiden University Medical Center to create the sculpture
Competition year2016
Installation dateSpring 2016; originally installed in May 2016
PopularityBecame popular as an internet meme in Eastern Europe and post-Soviet countries, especially Russia and Ukraine
Meme originA photograph posted on Pikabu in January 2017

Discovery and provenance

Court caseOn 28 August 2018, CD Land won 8.6 million rubles from MegaFon for unauthorized use of the Zhdun image
Media rightsCD Land bought the Russian media rights for five years starting in 2017
Rights acquisition dateJuly 2017
Rights holderRussian company CD Land
Meaning of local nameAn informal Russian term meaning "the one who waits"
Local nameЖдун
Russian, Ukrainian, and Belarusian namesRussian: Ždun; Ukrainian: Počekun; Belarusian: Pačakun; all mean "the one who waits"

Physical characteristics

Depicted figureA gray, legless creature with the head of a northern elephant seal, a larval body, human arms clasped in front, and one finger missing on each hand
PoseSeated on a waiting-room chair
ColorGray

Materials

MaterialPlastic and epoxy resin
Material propertiesWhen mixed, the materials form a clay-like substance that is hard and rough to the touch

Appearance

Description by the artistA terrifying and unusual mix of a human with a northern sea elephant and a huge insect larva, without legs, but with human arms and many folds

Iconography and meaning

Intended moodHumorous, cute, and huggable
Artist's description of the characterA failed experiment that waits and hopes to become better; a big cute lump of flesh that one wants to hug
Artist's approachBrevoort avoided depicting the dark side of medicine or disease and focused on ordinary patients waiting for a diagnosis
Interpretation by the sculptorRepresents the emotions people feel while waiting in a medical office
Intended messagePatients should wait calmly for a diagnosis with hope for the best
SubjectPatients waiting for a doctor and a diagnosis
DedicationDedicated to patients who wait a long time for a doctor’s appointment

Location and ownership

Original locationIn front of the children's hospital at Leiden University Medical Center in Leiden
Later locationExhibited inside Leiden University Medical Center, alongside other artworks in a hall with more than ten other sculptures
Location on 19 February 2017At the entrance to Leiden University Medical Center
Location on 13 August 2019Inside Leiden University Medical Center again
Copy locationChita, at the retro site of the House of Officers Park
Another copy locationTop of the Russian mountain resort Rosa Khutor in the Adler District of Sochi, Krasnodar Krai

History and restoration

Temporary modificationA face mask was added across the nose in 2021 due to COVID-19, and later removed

Significance

2017 media recognitionMir Fantastiki called Zhdun the main meme of 2017
Literary useThe figure first appeared in Russian literature in 2017 in the gestalt novel Ultranormality by Nathan Dubovitsky, and was later used by many authors in prose and poetry as a meme
Film adaptationA family comedy titled Zhdun / Snorp: My Alien Friend was released in Russia in March 2025; a sequel titled Zhdun 2 / Snorp: My Alien Friend 2 was announced for 30 April 2026
Media adaptationsIt was edited into paintings, photographs, videos, and other visual media; it also appeared on the cover of Balthazar's 2021 album Sand
MerchandisingToys, figurines, beanbag chairs, and large sculptures in the character’s form began to be sold after Zhdun became popular online, including as gifts for Valentine’s Day, Defender of the Fatherland Day, and International Women’s Day
Pop culture impactIgromania wrote about the character’s influence on pop culture and video-game audiences
Political interpretation in UkraineUkrainian MP Boryslav Bereza brought a figure of Zhdun to the Verkhovna Rada on 24 February 2017 and called it a symbol of the expectations of Ukrainian society
Le Monde interpretationIsabelle Mandrau associated its popularity with memories of Soviet times and failures of Russian reforms
Dutch media interpretationA Dutch publication linked its popularity in Russia to bureaucratic powerlessness and the importance of endless waiting in everyday life
Sociological interpretationAlexey Roshchin said the image reflects hidden dissatisfaction and social impoverishment, both intellectual and spiritual
Political interpretation in RussiaDmitry Travin called Zhdun a national symbol of Russia, interpreting it as a sad, lazy, sluggish but charming and optimistic figure waiting for change
Meme meaningSeen as a symbol of waiting, patience, stagnation, and passive expectation of change
RecognitionNamed the most photographed attraction in Leiden in 2016

Other

Associated national contextDiscussed in the context of Russian and Ukrainian society, internet culture, bureaucracy, and political expectations