Saints Jerome and Mary Magdalen
Saints Jerome and Mary Magdalen are two sculptures by Gian Lorenzo Bernini, now placed in the Chigi Chapel of Siena Cathedral. They were commissioned by Fabio Chigi, later Pope Alexander VII. Bernini began work in 1661, and the sculptures were transported from Rome to Siena in 1663. He received 2,128 scudi for them, although the works were probably executed with substantial help from his workshop. Scholars have interpreted the figures as sharing a mystical experience, with the statues appearing to break beyond the niche and turn away from earthly concerns toward something higher and transcendent.
October 2011 © User:Sailko · CC BY-SA 3.0
October 2011 © sailko · CC BY-SA 3.0
October 2011 © sailko · CC BY-SA 3.0
Identification | |
| Title | Saints Jerome and Mary Magdalen |
| Type | Two marble sculptures |
| Depicted figures | Saint Jerome and Saint Mary Magdalene |
| Original titles | I Santi Girolamo e Maria Maddalena; Saints Jérôme et Marie Madeleine; São Jerónimo e Maria Madalena |
Creator | |
| Artist | Gian Lorenzo Bernini |
| Artist nationality | Italian |
| Chapel designer | Gian Lorenzo Bernini |
Historical context | |
| Commissioned by | Pope Alexander VII (Fabio Chigi) |
| Commissioned for | the Chigi Chapel project |
| Date of creation | 1661–1663 |
Discovery and provenance | |
| Payment to Bernini | 2,128 scudi |
| Attribution | Probably not carved solely by Bernini; substantial workshop assistance was likely |
| Associated chapel sculptures | Saint Catherine of Siena by Ercole Ferrata and Saint Bernard of Siena by Antonio Raggi, both by artists from Bernini's workshop |
| Transported to Siena | 1663 |
| Made in | Rome |
| Work completed | 1663 |
| Work began | 1661 |
Physical characteristics | |
| Number of sculptures | Two |
| Material | Marble |
| Pose | Sinuous contrapposto |
Appearance | |
| Emotional tone | Mystical, contemplative, and sensual |
| Mary Magdalene depiction | Shown in mystical collapse or emotional rapture, with her head tilted back and her lips slightly parted |
| Saint Jerome depiction | An elderly, bearded Jerome embracing a crucifix and pressing Christ's face on the crucifix against his cheek; a lion at his feet is caressed by his foot |
Iconography and meaning | |
| Saint Jerome symbolism | The crucifix and lion emphasize absolute love, humility, and meekness |
| Interpretation | The figures are presented as undergoing a mystical vision or spiritual experience, absorbed in their own spiritual spaces rather than the physical world around them |
| Howard Hibbard interpretation | The statues seem to emerge from the niche itself, suggesting Jerome and Mary Magdalene are not bound to earthly reality but refer to something higher and transcendent |
| Rudolf Wittkower interpretation | He described an 'intensification of the visionary quality' in the statues |
Location and ownership | |
| Current location | Chigi Chapel, Siena Cathedral, Siena, Italy |
| Installed in | the Chigi Chapel |
| Current status | On display there to this day |
History and restoration | |
| Preparatory drawing for Mary Magdalene | Preserved at the Museum of Fine Arts, Leipzig |
| Terracotta sketch for Jerome's head | Preserved at the Fogg Art Museum, Harvard University |
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