Sculptpedia Statues, Busts and Sculptures Park sculptures and installations Ancient World & Antiquity Middle Ages & Renaissance Marble & Other Stones Bronze & Other Metals

Pompeii Lakshmi

Pompeii Lakshmi is an Indian ivory statuette discovered in Pompeii in 1938 by Amedeo Maiuri in the Casa della Statuetta Indiana. The figure was found in fragments in the remains of a wooden box with other toiletry items and is now in the Secret Cabinet of the National Museum in Naples. It is about 25 cm high and dates probably to the first half of the 1st century BC. The statuette shows a naked, ornamented woman with two small attendant figures holding cosmetic and jewelry containers. Its identification is debated: Maiuri linked it to Lakshmi, though its iconography is also considered typical of a yakshi. The object is an important witness to Roman-Indian trade connections.

Identification

TitlePompeii Lakshmi
Typeivory statuette
Alternative namesLakshmi of Pompeii; Lakṣmī pompeiana

Historical context

Associated siteCasa dei Quattro Stili ('House of the Four Styles'), now believed to have belonged to a successful merchant and to have been crammed with luxurious Indian commodities
Preservation contextThe statuette was in Pompeii by 79 CE, when the city was buried by the eruption of Mount Vesuvius
Dateprobably first half of the 1st century CE

Creator

Attribution of manufactureThe National Archaeological Museum of Naples dated it as made in India in the first half of the 1st century CE
Place of manufactureIndia

Discovery and provenance

Discovery dateOctober 1938; some sources say between 1930 and 1935
Discovery placePompeii, near the Casa dei Quattro Stili / Casa della Statuetta Indiana on Via dell'Abbondanza
DiscovererAmedeo Maiuri
Discovery contextFound during archaeological excavations in the remains of a wooden box, together with other toilet and cosmetic items

Location and ownership

Inventory number149425
Current locationSecret Cabinet (Gabinetto Segreto / Museo Secreto) of the National Archaeological Museum of Naples

Physical characteristics

FormFlat statuette
Height24.5-25 cm

Materials

MaterialIvory

Appearance

Depicted figureA nearly naked woman, ornamented with rich jewelry and an elaborate hairstyle
PoseStanding, with head slightly turned to the side and legs crossed; the right arm reaches behind the head into the braided hairstyle
AttendantsTwo smaller female attendants, one on each side, holding vessels/containers for cosmetics and jewelry
FeatureA hole bored down from the top of the head
Attribute in handOne hand holds either a heavy earring or a lock of hair
Exposed featureExposed genitals

Technique

CarvingCarved ivory
Possible original functionProbably the handle of a mirror; possibly part of a piece of furniture

Iconography and meaning

Later identificationMore probably a yakshi; possibly a syncretic Venus-Śrī-Lakshmi figure
Iconographic basis for deity interpretationRich jewelry, especially the belt, indicate a goddess figure
ThemeFertility and feminine beauty; in the Lakshmi interpretation, also wealth
Inscription on baseAmedeo Maiuri identified the sign as the Kharoshthi letter ši, which also begins Shiva
Initial identificationInitially identified as the goddess Lakshmi
Identification problemThe iconography does not match other depictions of Lakshmi, so the deity identification is problematic

Significance

Related trade detailsPossible route west during the rule of the Western Satrap Nahapana via Barigaza
Pliny on trade valuePliny stated that 100 million sesterces were sent each year to India, China, and Arabia
Roman eastern tradeRome imported many goods from India and established trading stations there; maritime routes across the Red Sea and Indian Ocean were especially important
Trade goodsNard, ivory, and textiles
Comparable findA similar statuette was found in Ter (Roman name: Tagara) in Maharashtra
Trade routes and sourcesLand routes are documented by Isidore of Charax in Parthian Stations; sea routes by the Periplus Maris Erythraei
Trade contextRoman-Indian trade is well documented archaeologically and in literary sources; trade took place by land and sea routes, with the peak in the 1st and 2nd centuries AD
Possible intermediary tradersNabataeans attested in nearby Pozzuoli may have served as intermediaries
Possible production placePossibly Vidisha, a center of ivory work
Historical significanceEvidence of Indo-Roman trade relations and long-distance exchange between India and Italy in antiquity
Interpretive noteThe figure is discussed mainly in terms of its uncertain provenance and possible trade routes