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Battersea Shield

The Battersea Shield is a Celtic ceremonial shield made of bronze and found in the Thames in 1857. It is now on display at the British Museum, in room 50. Probably the best-known Iron Age object from Britain, it takes its name from the place where it was discovered, near the suspended bridge now known as Chelsea Bridge. The shield was not intended for combat, but for display, ceremony, or votive offering, possibly to a water or underworld deity. Its date is debated, with suggestions ranging from 350 to 50 BC, and some scholars extending it into the first half of the 1st century AD.

Identification

TitleBattersea Shield
TypeCeltic shield plate

Historical context

Site interpretationThe area has been linked by some historians to Julius Caesar’s crossing of the Thames in 54 BC
Associated finds at discovery siteOther Roman and Celtic weapons, skeletons, the Waterloo Helmet, and the Battersea Cauldron were found in the same river area
Date of manufactureProbably 1st century BC to early 1st century AD; some museum displays date it to 350–50 BC, and some authors have proposed as early as the 3rd century BC
CultureIron Age Britain

Discovery and provenance

Discovery date1857
Discovery locationRiver Thames at Battersea, London, probably near Chelsea Bridge
Discovery contextFound during dredging/construction work for the predecessor of Chelsea Bridge
Named afterBattersea, the place where it was found

Creator

AttributionInsular Celtic art; no specific maker known

Materials

Main materialBronze
CompositionCopper-tin-lead alloy, about 85% copper, 10% tin, and 5% lead
Other materialsOriginal wooden or leather backing, now lost
InlaysOpaque red vitreous enamel/paste, likely Mediterranean in origin

Technique

ManufactureRepoussé, relief, punchwork, engraving, and enamel work
ConstructionMade in multiple bronze sheets and decorated panels joined by rivets concealed beneath overlapping edges and washers; enclosed by a peripheral band

Physical characteristics

ConditionNo battle damage; the bronze sheet is too thin to have been effective in combat
Surviving partOnly the external bronze sheet survives; the original wooden support has decayed
Dimensions77.7 cm high; 35.7 cm wide at the wider points; 34.1 cm wide at the waist
FormWaisted, elongated shield shape with rounded edges and curved sides
Weight3.4 kg (surviving remains only)

Appearance

DecorationThree symmetrically arranged rosettes/discs, circular and spiral motifs, palmettes, interlaced S-shapes, and red enamel inserts
Motif arrangementHighly symmetrical geometric design with anthropomorphic allusions
Central featureA prominent central boss/umbo at the center of the largest rosette, with the largest enamel insert on it
Surface treatmentThe surface does not appear to have been gilded
StyleLa Tène style, though unusually peculiar and not closely comparable to other insular Iron Age objects
Enamel details26 or 27 red enamel inlays in multiple sizes; the enamel is set in roughened cavities with raised swastika-like griffe or compartments
Interpretation of motifsSome scholars read faces, good-luck symbolism, and solar associations into the design; the swastika-like form was known in antiquity as the whirling sun

Location and ownership

Museum accession number1857,0715.1
Current locationBritish Museum, Room 50, London

History and restoration

Debated functionProbably a ceremonial, votive, or prestige object rather than a fighting shield; possible uses include a gala/parade piece or ritual offering to an aquatic or chthonic deity
Deposition interpretationPossibly deliberately cast into the River Thames as a votive offering
Dating interpretationSome interpretations place it slightly before or at the time of the Roman conquest of Britain; the red enamel has been cited as evidence for a late date
Scholarly studyA careful 1980 study disassembled and reassembled the shield, but reached no definitive conclusion

Significance

Artistic significanceOne of the most important and famous Celtic artworks from Britain; highly representative of Celtic art
UniquenessNearly without parallels in the insular Iron Age

Other

Related cultural receptionThought in popular imagination to be the typical shield of the ancient Britons
Modern referenceInspired a 2004 EP by The Orb and Meat Beat Manifesto, released in an embossed tin based on the shield's design