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Shigir Idol

Shigir Idol is a Mesolithic wooden sculpture discovered in January 1890 on the Shigir peat bog, about 100 km from Yekaterinburg in Siberia. It was found broken into several pieces at a depth of 4 meters. The surviving part of the idol is 2.8 meters tall, while the original figure is believed to have stood 5.3 meters high. Carved from fresh larch wood, it has a schematically marked face and a long body decorated with zigzag patterns and seven human face outlines. Radiocarbon dating suggests it is around 10,100 years old, making it the oldest known wooden sculpture in the world. It is currently exhibited at the Sverdlovsk Regional Museum of Local Lore in Yekaterinburg.

Identification

TitleShigir Idol
Alternative namesBig Shigir Idol; Wooden idol from the Shigir bog; Lidolo di Šigir; L'idole de Shigir; Шигирский идол
TypeWooden sculpture; idol; archaeological monument; decorated wooden post; wooden pole

Historical context

Cultural periodMesolithic
DateAbout 11,500 years old; dated to the 11th millennium BC; earlier estimates ranged from about 9,500 to 11,000 years old
Historical contextMade shortly after the end of the last Ice Age; comparable in age to Göbekli Tepe and Nevalı Çori

Creator

CreatorUnknown

Discovery and provenance

Discovery dateJanuary 1890; one source gives 24 January 1894
Discovery placeShigir peat bog, near Kalata (now Kirovgrad), Middle Urals, Russia, about 100 km from Yekaterinburg; one source places the discovery near the modern city of Kirovgrad in the area of the eastern Urals
Discovery depth4 meters
Discovery contextFound in a peat excavation / peat bog, broken into several parts; excavated from the Second Kuryinsky mine / a gold mine
Associated findsMore than 3,000 hunting weapons, fishing implements, and tools made of antler, bone, horn, wood, stone, and clay were found at the site
Name originNamed after the locality where it was found

Physical characteristics

Tree age at fellingAbout 150-157 years old when cut down
Condition at discoveryFound in fragments; badly preserved; entered the museum as a heap of fragments
HeightOriginally about 5.3 m; preserved height about 2.8 m; later sources give a current height of about 3.4-3.8 m

Materials

MaterialLarch wood

Technique

TechniqueCarved wooden sculpture; decorated with zigzag patterns and outlined human faces

Appearance

AppearanceSchematically rendered face with eyes, nose, and mouth; long body covered with zigzag patterns and seven outlined human faces
Reconstructed formLobanov’s reconstruction showed a figure with crossed arms and legs; Tolmachev’s reconstruction showed a three-dimensional head, a board-like body, and a cone-shaped base

Interpretation

InterpretationProbably erected as an anthropomorphic pillar deity; possibly served as a ritual pole

Location and ownership

Current locationSverdlovsk Regional Museum of Local Lore / Museum of History and Archaeology of the Urals, Yekaterinburg, Russia
Display statusDisplayed publicly only since 2003; previously kept in a museum storeroom during the Soviet period; one source says it has a separate exhibition dedicated to it

History and restoration

Excavation and reconstruction historyReported in 1879; surveyed in 1880; removed from the peat in parts; first reconstructed by Dmitry I. Lobanov, who combined the fragments and produced a 2.8 m reconstruction; in 1914 Vladimir Tolmachev proposed an alternative reconstruction using all fragments and a 5.3 m height
Later loss of fragmentsThe lower fragments / lower half of the body later disappeared for unknown reasons; they are known only from engravings / Tolmachev's drawings
Research historyScientific results were first published in 2018 and corrected in 2021; the area had been investigated since the mid-19th century because of prehistoric finds

Significance

SignificanceDescribed as the world's oldest surviving wooden sculpture; evidence of Mesolithic wood carving and monumental art
Interpretive significanceFinds such as this suggest that the spiritual world and art of hunter-gatherers at the Pleistocene-Holocene boundary were richer and more complex than previously thought; the piece also suggests the importance of Eastern Europe for Stone Age development in Eurasia was underestimated

Other

Relative ageAbout twice as old as Egypt's Great Pyramid
Research questions and contextUsed in research on postglacial development in the mid-Trans-Urals, the cultural sequence of the region, and when the first pottery appeared in the Urals; linked to early rounded-bottom, partly decorated hunter-gatherer pottery and the forest Neolithic, which spread to southern Scandinavia, northern Germany, and the Netherlands