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Saint Proculus

Saint Proculus is a sculpture by Michelangelo from his early period, made between 1494 and 1495 for the Arca of Saint Dominic inside the Basilica of Saint Dominic in Bologna. It was executed together with two other sculptures, Saint Petronius and an Angel, to complete the work left unfinished after the death of Niccolo dell'Arca. The source text notes that the figure shows a certain resemblance to Donatello. It also mentions a testimony by Fray Ludovico da Prelormo, the elderly custodian of the Arca of Saint Dominic, concerning damage to the statue in 1572.

Identification

TitleSaint Proculus
Alternative titlesSan Próculo; Saint Proclus; Saint Procule; "Святой Прокл Болонский"; São Proclo; Saint Proculus of Bologna
Typestatue
SubjectSaint Proculus of Bologna, a Roman soldier and martyr

Historical context

Date1494–1495
PeriodMichelangelo's early period
ContextOne of Michelangelo's early works for the Ark of Saint Dominic in Bologna, made to complete work left unfinished by Niccolò dell'Arca after his death

Creator

ArtistMichelangelo Buonarroti

Discovery and provenance

Commissioned byThe friars of San Domenico
DestinationThe Ark of Saint Dominic (tomb of Saint Dominic) in Bologna
Place of creationBologna
Associated sculpturesThe Candle-bearing Angel and Saint Petronius
Previous artists on monumentNicola Pisano; Niccolò dell'Arca
Patronage noteGiovan Francesco Aldrovandi mediated Michelangelo's employment with the friars of San Domenico

Physical characteristics

Number in setOne of three small marble statues
Height58.5 cm

Materials

MaterialMarble

Appearance

Depicted figureA young Roman soldier in contrapposto
PoseRight arm suggests readiness for action; left hand holds a long cloak; left leg forward with weight on the right leg
ClothingShort belted tunic, high boots, and a cloak carried over the shoulder
AttributeA spear originally attached separately in metal, now lost
Facial expressionProud, frowning, and tense

Iconography and meaning

Depicted subjectProculus of Bologna, an Italian soldier-saint martyred under Diocletian in Bologna
InterpretationThe work has been read as highly original, showing a heroic, tense figure and anticipating Michelangelo's later heroic style in works such as the David and the Moses
Possible self-portrait readingFritz Erpel considered it an early self-portrait; Eric Scigliano rejected this view; if read as a self-portrait, Michelangelo would be shown as an angry young man ready to sweep away obstacles
Influences and comparisonsResembles Donatello; possibly influenced by Niccolò dell'Arca's Saint Vitalis, the work of Ercole de' Roberti and Francesco del Cossa, Jacopo della Quercia, and perhaps Verrocchio's equestrian monument to Bartolomeo Colleoni; the composition also shares much with Michelangelo's later David

Location and ownership

Current locationBasilica of Saint Dominic, Bologna
Display statusOn display

History and restoration

Damage and restorationThe statue was broken in 1572, reportedly knocked to the ground in more than fifty pieces by friar Pelegrino the converso, and was later repaired to its present form
Historical testimonyAccording to Friar Ludovico da Prelormo, elderly custodian of the Ark of Saint Dominic, the damage caused him intense heartache and was witnessed by the friars and many skilled masters

Significance

Art-historical significanceA notable early Michelangelo sculpture for the tomb of Saint Dominic, with clear contrapposto and an early expression of the heroic style