Piccolomini Altarpiece
The Piccolomini Altarpiece is an architectural and sculptural altarpiece in the left nave of Siena Cathedral. Commissioned by Cardinal Francesco Todeschini Piccolomini, it was intended to be his tomb, though he was later elected Pope Pius III and buried in the Vatican instead. Built between 1481 and 1485 by Andrea Bregno in Carrara marble, it was later enriched with additional works, including four niche sculptures by Michelangelo of saints Peter, Augustine, Paul, and Gregory. The figure of Augustine was later resculpted as Saint Pius. Above the altar is a Madonna and Child, probably by Jacopo della Quercia, and the central painting of the Madonna is by Paolo di Giovanni Fei from the late 14th century.
© JoJan · CC BY-SA 3.0
April 2023 © Zairon · CC BY 4.0
© sailko · CC BY-SA 3.0
© Bregno, Andrea (Italian architect, sculptor, 1418-1503) (artist) · Public domain
August 2006 © 林高志 · CC BY-SA 4.0
Identification | |
| Title | Piccolomini Altarpiece |
| Type | Architectural and sculptural altarpiece |
| Original name | Altare Piccolomini |
Location and ownership | |
| Location | Left nave of Siena Cathedral, Siena, Italy |
| Central niche statue provenance | From the altar of Saint Thomas Aquinas, and earlier from the altar of Saint James Interciso, both in Siena Cathedral |
| Central niche statue placement | Installed in the central attic niche at the end of the 18th century |
Historical context | |
| Commissioner's papacy | Francesco Todeschini Piccolomini became Pope Pius III in 1503 and died after 26 days |
| Site arrangement | The Shoemakers' Guild agreed to give up the site if another space in the cathedral was found for them, but because of limited space they had to share the site with the cardinal |
| Original site | The former altar of the Shoemakers' Guild in Siena Cathedral, dedicated to the Nativity of Mary |
| Purpose | To celebrate the Piccolomini family's political and cultural presence in Siena and to serve as the cardinal's tomb |
| Dedication | Intended to honor Pope Pius II, uncle of Francesco Todeschini Piccolomini |
| Patron | Cardinal Francesco Todeschini Piccolomini, later Pope Pius III |
Creator | |
| Later sculptor | Pietro Torrigiano |
| Michelangelo contribution date | 1501–1504 |
| Michelangelo contribution | Four statues for the lower lateral niches, made with extensive assistance |
| Michelangelo patronage | Backed by banker Jacopo Galli |
| Torrigiano work period | 1488–1489 |
| Michelangelo contract date | 5 June 1501 |
| Painted central image artist | Paolo di Giovanni Fei |
| Architect and primary builder | Andrea Bregno |
| Bregno work period | 1481–1485 |
| Bregno signature | "Opus Andreae Mediolanensis MCCCCLXXXV" |
Physical characteristics | |
| Painted central image date | c. 1390, late 14th century |
| Number of surviving statues by Torrigiano | 1 |
| Central niche statue date | 1371 |
| Painted central image | Madonna of Humility |
| Central niche statue | Madonna and Child |
| Central niche statue attribution | Long attributed to the young Jacopo della Quercia; now attributed by critics to Giovanni di Cecco |
| Number of planned statues | 14 full-figure statues |
| Number of completed statues by Michelangelo | 4 |
| Michelangelo planned subject | 15 statues of saints |
| Material | Carrara marble |
| Condition | Incomplete |
| Planned sculptural program | 14 full-figure statues for the niches and spaces above the attic |
| Central architectural element | A marble retable intended to frame Paolo di Giovanni Fei's Madonna of Humility painting |
| Torrigiano surviving work | Saint Francis in the upper left niche |
History and restoration | |
| Construction completed | 1481–1485, with the work left unfinished when Bregno returned to Rome in 1486 after a physical collapse and possible artistic crisis |
| Later additions | Added in the following decades |
| Michelangelo's reduced involvement | He worked intermittently after receiving other major commissions, especially the Florentine David |
| New contract date | 11 October 1504 |
| Heirs' request | Todeschini's heirs secured Michelangelo's delivery of the statues and asked him to complete the four lower side-niche statues with assistants |
| Contract annulment | Annulled in the 1530s by Archbishop Francesco Bandini Piccolomini |
| Final state | The altarpiece remained permanently unfinished after the annulment |
| Restoration | Restored in 2008 |
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Middle Ages & Renaissance
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