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Apennine Colossus

Apennine Colossus is a towering stone statue about 14 meters high, located in the grounds of Villa Demidoff in Vaglia, Tuscany. Made in the 1580s by the Flemish sculptor Jean de Boulogne, known as Giambologna, it was conceived as a personification of the Apennines and also as a fountain for Pratolino. The figure appears as an elderly man crouching by a lake, surrounded by mythological references from Ovid and Virgil. Built of stone and plaster, it contains caves and rooms on three levels, including a grotto with an octagonal fountain dedicated to Thetys. The sculpture was later altered and restored, and it remains partially covered with mosses and lichens.

Identification

TitleApennine Colossus
Typemonumental stone sculpture; water sculpture
Original Italian nameIl colosso dell'Appennino
Alternative namesColossus of the Apennines; Apennine; Il Gennaio; Il Colosso; Le colosse de l'Apennin

Historical context

Date createdlate 1580s; 1579-1583
Historical mentionMentioned by Michel de Montaigne during a visit while the park was still unfinished and the colossus was under construction

Creator

ArtistGiambologna (Jean de Boulogne; Juan de Bolonia), Flemish sculptor (1529-1608)
PatronFrancesco de' Medici, Grand Duke of Tuscany
Earlier estate architectBernardo Buontalenti

Discovery and provenance

Current locationVilla Demidoff estate, Vaglia, Tuscany, Italy
Associated site historyVilla di Pratolino was built from 1569 for Francesco de' Medici; it later fell into disrepair and was replaced by Villa Demidoff in the 1800s; the Pratolino estate was inscribed on the UNESCO World Heritage List in 2013
Original locationVilla di Pratolino grounds, Pratolino park, Vaglia, north of Florence, Tuscany, Italy

Physical characteristics

Heightabout 11 meters
SubjectPersonification of the Apennine Mountains; sometimes identified as Jupiter, the god of the mountains, or as a representation of old age, winter, or January
AppearanceA colossal nude elderly man crouching at the edge of a lake, with a thick beard and long hair formed with stalactites; partly covered with moss and lichens
PoseLeft hand held in front as if crushing the head of a sea monster
Water featureWater flowed from the sea monster's open mouth into the pond in front of the statue

Iconography and meaning

InspirationPossibly inspired by Atlas in Ovid's Metamorphoses; another hypothesis cites Atlas in Virgil's Aeneid
MeaningA metamorphic allegory of man and mountain, blending the body with surrounding nature; may also symbolize the harshness of the Apennines

Location and ownership

SettingSet in a landscape with aquatic vegetation and other mythological figures, including Pegasus, Mount Parnassus, and Jupiter
FunctionWater source for Pratolino, including its fountains and hidden water games

Materials

MaterialsStone and plaster

Technique

Internal structureA series of chambers and caves arranged on three levels inside the sculpture
Lower chamberA cave with an octagonal fountain dedicated to the Greek goddess Thetis/Tethys
Lower chamber decorationDecorated in 1586 by Jacopo Ligozzi with frescoes of villages and coastal peoples from the Mediterranean coast of Tuscany
Other interior decorationMining scenes based on Georgius Agricola's De re metallica
Upper chamberA chamber on the upper level large enough for a small orchestra
Head chamberA small chamber in the head with a fireplace and chimney flue through the nostrils, plus slits in the eyes and ears

History and restoration

Water and seasonal effectsInternal water pipes made the figure appear to sweat and weep; in winter it was covered with icicles, and in spring with moss
Original rear structureThe back was initially protected by a cave-like structure with a terrace above it, shown in Stefano della Bella's sketches/etchings and compared to Michelangelo's non-finito
Alteration in 1690Giovan Battista Foggini demolished the rear structure around 1690 and added a dragon statue on the back, probably a former fountain later used as a fireplace/chimney
RestorationRenovated in 1876 by Rinaldo Barbetti

Significance

Historical significanceOne of the earliest foreign visitors to the site was Montaigne