Carrizo Christ
Carrizo Christ is an ivory reliquary statuette showing Christ on the cross in the attitude of Christ in Majesty, without signs of suffering. It was made in León during the Romanesque period. The figure is notable for its large head, penetrating gaze, finely braided hair, and the drapery of the perizoma. Its sculptor may have been a pupil of the artist who made another work mentioned in the source. The original was long kept at an unspecified location and is now preserved in an unspecified museum or institution. A polychrome birch copy, five times larger than the original, was made by the sculptor José Lonjos and is kept in Carrizo, where it is sometimes carried in procession.
April 2017 © Zarateman · CC0
December 2015 © Ángel M. Felicísimo · CC BY 2.0
December 2015 © Ángel M. Felicísimo · CC BY 2.0
February 2014 © David Perez · CC BY 4.0
March 2007 © lugarzen · CC BY-SA 2.0
Identification | |
| Title | Carrizo Christ |
| Type | Romanesque ivory reliquary statuette |
| Original name | Cristo de Carrizo |
Historical context | |
| Date | 12th century |
| Style period | Romanesque |
Creator | |
| Maker | Unknown; possibly a disciple or student of the sculptor of the Crucifix of Don Fernando and Doña Sancha |
Discovery and provenance | |
| Former location | Former Cistercian nunnery of Santa María de Carrizo de la Ribera, where it was long kept |
| Copy | Polychromed birch wood copy, five times larger than the original, made by sculptor José Lonjos in Carrizo for procession use |
| Made in | León |
| Origin | Cistercian monastery of Santa María de Carrizo de la Ribera, Carrizo de la Ribera, León, Spain |
Location and ownership | |
| Current location | Museo de León, León, Spain |
Physical characteristics | |
| Hair | Finely braided; falls over the shoulders; geometrically stylized |
| Relic cavities | Cavities in the back and knees intended to store relics |
| Reverse side | Back left uncarved because it was not meant to be seen |
| Support | Original cross lost; replaced by a modern cross |
| Decorative details | Holes remain for setting precious stones in the belt and lower border |
| Loincloth | Falls to the knees; carefully carved; draped |
| Beard | Geometrically stylized |
| Anatomy | Softly modeled |
| Facial expression | Does not show pain |
| Eyes | Large, wide open, with black-jet eyes |
| Head | Large |
| Depiction | Christ on the cross, alive, in a Christ in Majesty pose, with four nails and no signs of suffering |
| Figure represented | Christ |
| Height | 33 cm |
| Hands and feet | Out of proportion to the rest of the body |
Materials | |
| Material | Ivory |
Appearance | |
| Stylistic features | Large head, penetrating gaze, finely braided hair, and draping of the loincloth |
| General impression | Impressive |
Significance | |
| Artistic assessment | Considered a masterpiece |
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